I position myself as a bridge between design and art. Design gives me the tools to structure and clarify, while art allows me to bring sensitivity and emotion to the forefront. This intersection enables me to question how we perceive and interpret sensitive data, particularly around topics often silenced or considered taboo, and to create new ways of engaging with them.
The spectator plays a central role in my work. My goal is to plant a seed that encourages reflection and empathy. Rather than overwhelming with despair, I aim to create spaces where people can confront uncomfortable realities while still finding openness for dialogue and connection.
Manual and analog processes are essential to my practice. Whether through stamping, bookbinding, or other tactile methods, I value the human presence embedded in the work. These processes demand patience and intimacy, contrasting the speed and detachment of digital systems, and reinforcing my commitment to keeping the human visible within the data.